![]() ![]() A pummeling, deadly face-melt of an album, this shit is like Megasoid on steroids, or Two Fingers filled with an insatiable bloodlust. We fantasized about a more official release of the stuff, and now something very similar has come into being: Master P on Atari. Conceived of as warm-up fodder for Bay Area producer Mochipet's tours, they were dense and intense amalgamations of electro house, hyphy, ghetto-tech, Southern rap, and more. The Microphone Tour Jams were some of our favorite secret weapons of last year. ![]() Right-click here to download it via XLR8R. Latest single, "Party In My Head." The "Heart of Glass"-esque drum programming at the beginning is Kittin's, but the Paradise Garage-y bobs and churns? That's all Thieves, right there. Their label asked us nicely not to post anything from the EP, and so we're going to do the next best thing: offer you a remix off Miss Kittin and the Hacker's Really Like To See You Again was released June 9, and from what we hear, it continues the hot streak their album, Play Music, set them out on. We're very excited to hear that Thieves Like Us have a new EP out. ![]() Miss Kittin & The Hacker - "Party In My Head" (Thieves Like Us Remix) Mac: Ctrl + click on the "download song" link and select "Save Target As" PC: Right click on the "download song" link and select "Save Target Few bands sound so confident with their sound and clear in their intentions even after several albums, and very few are capable of making a record this good.GBH: Music Events, Guest Lists, Music Videos Their songwriting and vocals are actually better than Air, closer to Scissor Sisters again in their ability to write great pop songs and deliver them with flair. They're easily capable of glittering disco with the slinky basslines to match, but they also deliver starburst electronica that's as mature and elegant as Air. But where Scissor Sisters looked back to disco and the Bee Gees primarily, Midnight Juggernauts have a slightly different spin, taking inspiration from the Euro-disco productions of Giorgio Moroder, David Bowie's rich tenor voice, and the future-shock themes (and synth) of prime '80s synth pop, with a few Beach Boys harmonies thrown into the mix. ![]() In a similar fashion, Midnight Juggernauts revel in uninhibited dance music with a retro flair, carefully produced and polished to a sheen. Dystopia, Midnight Juggernauts' debut album, reveals so much care and confidence that it's easy to declare this one of the best debuts in the dance community since Scissor Sisters. ![]()
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